Rita Ackermann
| Summer 2001 |
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A cool/scary drawing show of works often ripped straight
from her notebook. William Blake meets Henry Darger.
Eija-Liisa Ahtila
| October
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The Finnish videomaker demonstrates the real potential
of video as medium - often with quietly crazy heroines.
Matthew Benedict |
Sumnmer 2006
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A nautically-themed show from one of my favorite under-rated
painters. Seriously, seek out his work.
Ilse Bing |
February 2001
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Stunning cityscape photos by the German artist once called
"The Queen of the Leica."
Alighiero e Boetti
| October 2004
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Great show, especially for a commercial galley, combining two
museum pieces from this late artist. Especially
great: Lavoro Postale, a mail-art piece of sprawling scope and
complexity, yet lyric nonetheless.
Louise Bourgeois
| April 2000
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In her nineties, still the world's toughest artist.
Candice Breitz |
March 2004
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Video installation walks the thin line between feminist
mocking and feminine envy vis-à-vis Hollywood starlets.
Angela Bulloch
| Summer 2000 |
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The (sort-of) YBAer departs from her past interactive work,
creating giant pixels. Not convinced.
Davide Cantoni
| February 2003 |
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Using thick paper and a magnifying glass, a young Italian explores
appropriation. Sizzling, lacy work.
David Claerbout
| May 2003 |
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Is it video, or photo, or installation? Yes. A young Belgian
artist fluidly fuses mediums.
Francesco Clemente
| Summer 2001 |
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Italy's eighties painting star mounts a mezzo-mezzo show.
Coasting, Clemente, coasting...
Thomas Demand
| May 2000 |
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German artist does amazing things with paper, recreating
scenes from newspaper photos,
then photographing them.
Sylvie Fleury
| January 2001
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Geneva's rockstar artiste traipses along the line between
glamour, irony and kitsch, but doesn't trip.
Robert Frank |
Sumnmer 2006
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The Fotomuseum Winterthur's retrospective juxtaposes Frank's
masterful early work with his shakier later experiments.
Jacqueline Heer
| February 2002
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The Swiss photographer uses a secret method to make pix
with portent in her new North Carolina homeland.
Candida Hofer
| January 2002 |
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The older sister of "Struffsky" makes her mark, strikingly.
Is she the best of the Becher students?
Rebecca Horn
| May 2000 |
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The German artist exhibits her past mastery of surrealist
mechanisms; but a newer style stumbles.
Theresa Hubbard and
Alexander Birchler |
January 2002 | View
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Hubbard and Birchler, a pair well worth tracking, pull
off an amazing Mobius-strip video.
Anselm Kiefer
| April 2002 |
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In a mini-retrospective at Basel's Fondation Beyeler, Kiefer
shows works
monumental in both their scale and resonance.
Rezi van Lankveld
| November 2003 |
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Young Dutch painter makes marvelous work - mottled, murky, muddy
- like half-remembered images from dreams.
Ana Mendieta
| March 2003 |
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In a retrospective for the Cuban body artist, who died far too
young under circumstances still hotly
debated, we see her work's ever-evolving obsession with mortality.
Adrian Paci
| Summer 2005 |
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Young Albanian artist shows moody work that benefits from
its refreshing lack of ironic distance.
Darryl Pottorf
| October 1999 |
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Pottorf's technique echoes (too closely) that of his master,
Robert Rauschenberg.
Thomas Ruff (1999)
| December 1999 |
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The German photographer experiments once again - unsuccessfully,
this time - with the political photomontage.
Thomas Ruff (2001)
| June 2001 |
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Another experiment by Ruff: Digitally reworking Internet
porn. Sometimes to interesting effect. Often not.
Santiago Sierra
| November 2002 |
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The Spanish conceptual artist pushes the global underclass
in the artworld elite's face.
Roman Signer
| October 2001 |
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A Swiss master, Signer creates art using an unmatched mix
of humor, machines and explosives.
Beat Streuli
| February 2003 |
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Using video and photo, the Swiss artist transforms NYC's Prince
and Broadway into a human pantheon. Superb.
Stefan Thiel
| November 2003 |
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Using an ancient technique - paper-cutting - Thiel makes poetic
pieces, sometimes photographic in their composition, sometimes
abstract.
Miroslav Tichy
| October 2005 |
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Some of the people I respect most in the artworld love Miroslav
Tichy's work. Others find it boring dirty-old-manism.
So far at least, I don't get it. To me, this work is more interesting
as a study in desire than as photography.
Jeff Wall
| December 2005 |
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i can scarcely imagine an artist better suited to Basel's Schaulager
space than Jeff Wall, master of
constructed photograpy. And vice-versa. They should have made
it a permanent installation.
Saskia Olde Wolbers
| October 2001 |
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The Dutch videomaker uses white paint and a tiny wireframe
to create a piece that looks
digital. Stunning. Unknown
then, Wolbers won the UK's Becks Future prize three years later.
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